Prop design & scenic painting
"Dead Man's Cellphone" by Sarah Ruhl 
San Francisco State University set design by Bernadette Flynn
Photo by Alandra Heliman 
Scenic painting
"Translations" by Brian Friel
set design by John B Wilson
Photo by Alandra Heliman
Scenic Painting
"The Learned Ladies" by Moliere
set design by Bernadette Flynn
Photo credit: Alandra Heliman

Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim

set design by Bianca Giovinazzo & myself



Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
 set design by Bianca Giovinazzo & myself
Set design, prop design, scenic painting
set design by Bianca Giovinazzo & myself
Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
 set design by Bianca Giovinazzo & myself
Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
 set design by Bianca Giovinazzo & myself
Set design, prop design, scenic painting
"Into the Woods" by James Lapine & Stephen Sondheim
 set design by Bianca Giovinazzo & myself
Prop design
"The Wild Party" by Andrew Lippa 
Produced by the Ray of Light at Victoria Theatre, San Francisco
 set design Erik Ladue 
​​​​​​​
Inspiration Collage for Props design & scenic painting
"Dead Man's Cellphone" by Sarah Ruhl 
San Francisco State University
set design by Bernadette Flynn
Inspiration Collage for  "Buried Child" by Sam Shepard
San Francisco State University
Design in collaboration with Warren Moten for "Elf: The Musical" by Bob Martin & Thomas Meehan
Bay Area eTc Summer Musical Theater Performance Camp 2017


Set Design for "The Importance of Being Earnest" by Oscar Wilde
San Mateo Performing Arts Center 2017
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